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8 edition of Intertextual encounters in American fiction, film, and popular culture found in the catalog.

Intertextual encounters in American fiction, film, and popular culture

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  • 7 Currently reading

Published by Bowling Green State University Popular Press in Bowling Green, OH .
Written in English

    Places:
  • United States,
  • United States.
    • Subjects:
    • Popular culture -- United States,
    • Motion pictures -- United States -- History,
    • American fiction -- History and criticism,
    • Intertextuality,
    • United States -- Intellectual life

    • Edition Notes

      Includes bibliographical references (p. 196-210) and index.

      Statementby Michael Dunne.
      Classifications
      LC ClassificationsE169.1 .D87 2001
      The Physical Object
      Paginationv, 221 p. ;
      Number of Pages221
      ID Numbers
      Open LibraryOL3947513M
      ISBN 100879728477, 0879728485
      LC Control Number2001035018


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Intertextual encounters in American fiction, film, and popular culture by Michael Dunne Download PDF EPUB FB2

Intertextual encounters occur whenever an author or the author’s text recognizes, references, alludes to, imitates, parodies, or otherwise elicits an audience member’s familiarity with other texts. Scott Fitzgerald and Nathanael West use the fiction of Horatio Alger, Jr., as an intertext in their novels, The Great Gatsby and A Cool : Paperback.

Intertextual encounters occur whenever an author or the author s text recognizes, references, alludes to, imitates, parodies, or otherwise elicits an audience member s familiarity with other texts. Scott Fitzgerald and Nathanael West use the fiction of Horatio Alger, Jr., as an intertext in their novels, The Great Gatsby and A Cool Million.

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This site is like a library, Use search box. Intertextual Encounters in American Fiction, Film, and Popular Culture Michael Dunne. Popular Press Intertextual encounters occur whenever an author or the author's text recognizes, references, alludes to, imitates, parodies, or otherwise elicits an audience member's familiarity with other texts.

Intertextual encounters in American fiction, film, and popular culture. Bowling Green, OH: Bowling Green State University Popular Press, © (OCoLC)   Buy Intertextual Encounters in American Fiction, Film, and Popular Culture by Michael Dunne (ISBN: ) from Amazon's Book Store.

Everyday low Author: Michael Dunne. Intertextual Encounters in American Fiction, Film, and Popular Culture, Bowling Green State University Press,p) Tacitly invited to decode the reference.

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Michael Dunne is professor emeritus of English at Middle Tennessee State University. He is the author of several books, including Intertextual Encounters in American Fiction, Film, and Popular Culture.

He is coeditor, with his wife, Sara Lewis Dunne, of The Greenwood Chronology of American Popular : Michael Dunne. The Rocky and Bullwinkle Show featured some of the wittiest, most inspired, and relentlessly hilarious animation ever created.

The legendary Jay Ward and Bill Scott produced the gleeful wonder and cumulative joy that transcended the crude drawings and occasionally muddy sound.

Jay Ward was the magnificent visionary, the outrageous showman, while Bill Scott was the genial, brilliant 5/5(1). Intertextual encounters in American fiction, film, and popular culture by Michael Dunne; 1 edition; First published in ; Subjects: Motion pictures, Intertextuality, Intellectual life, Popular culture, History and criticism, American fiction, History; Places: United States.

Books shelved as intertextuality: Intertextuality by Graham Allen, Wide Sargasso Sea by Jean Rhys, The Jolly Postman, or Other People's Letters by Janet.

Books shelved as intertextual: Rosencrantz and Guildenstern Are Dead by Tom Stoppard, The Name of the Rose by Umberto Eco, S.

by J.J. Abrams, The Eyre Af. Michael Dunne is professor emeritus of English at Middle Tennessee State University. He is the author of several books, including Intertextual Encounters in American Fiction, Film, and Popular Culture.

He is coeditor, with his wife, Sara Lewis Dunne, of Pages: The History of the Popular Culture Association/American Culture Association and the Popular Culture Movement – Edited, Revised, and Updated by Ray B. Browne Intertextual Encounters in American Fiction, Film, and Popular Culture Michael Dunne The Material World in American Popular Film Edited by Paul Loukides and Linda K.

Author by: Becky Aikman Languange: en Publisher by: Penguin Format Available: PDF, ePub, Mobi Total Read: 54 Total Download: File Size: 50,8 Mb Description: A lively and revealing behind-the-scenes look at the making of one of history's most controversial and influential movies, drawing on exclusive interviews with the cast and crew.“You’ve always been crazy,” says Louise to.

Johnnie Lee Cochran Jr. (/ ˈ k ɒ k r ə n /; October 2, – Ma ) was an American lawyer and civil activist best known for his leadership role in the defense and criminal acquittal of O.J. Simpson for the murder of his ex-wife Nicole Brown Simpson and her friend Ron defended his client with rhymes like "if it doesn't fit, you must acquit!"Alma mater: University of California, Los Angeles.

The WABAC machine was a central element of the "Peabody's Improbable History" cartoon segment. The machine was invented by Mr. Peabody, a genius, polymath, and bow tie-wearing beagle, as a birthday gift for his adopted pet boy, allowing them to visit famous historical people or events, the WABAC provided educational adventures for Sherman.

Pulp Fiction is a American black comedy neo-noir crime film written and directed by Quentin Tarantino, who conceived it with Roger Avary. Directed in a highly stylized manner, Pulp Fiction connects the intersecting storylines of Los Angeles mobsters, fringe players, small-time criminals, and a mysterious briefcase.

The film's title refers to the pulp magazines and hardboiled crime novels Box Office: $ million. Discover Book Depository's huge selection of Michael Dunne books online.

Free delivery worldwide on over 20 million titles. In this book Allen Forte shares his love of American popular song. He discusses in detail twenty-three songs, ranging from Gershwin’s “Fascinating Rhythm” () to Irving Berlin’s “Steppin’ Out with My Baby” (), guiding readers and listeners toward a deeper.

20th century – In the early days of trucking culture, truck drivers were more frequently portrayed as protagonists in the popular media. In Trucking country: The road to America's Wal-Mart economy, author Shane Hamilton explores the history of trucking and how developments in the trucking industry helped the so-called big-box stores dominate the U.S.

marketplace. Entourage, like The Player, “enters into a vigorous intertextual dialogue with American popular culture,” through its “references to contemporary social trends, consumer products, and actual films and film stars” (Intertextual Encounters,15).

Assumptions that viewers are familiar with Moore’s off-screen persona is symptomatic of the. Intertextual encounters occur whenever an author or the author's text recognizes, references, alludes to, imitates, parodies, or otherwise elicits an audience member's familiarity with other texts. Scott Fitzgerald and Nathanael West use the fiction of Horatio Alger, Jr., as an intertext in their novels, The Great Gatsby and A Cool Million.

Contemporary American Popular Culture (), Hawthorne's Narrative Strategies (), Intertextual Encounters in American Fiction, Film and Popular Culture (), and American Musicals on Film (forthcoming). Michael A. Elliott is associate prof essor of English at Emory University. He is the author of The Culture Concept: Writing.

Title: PCL MS Popular Press Collection: Introduction: The Bowling Green State University Popular Press was begun by Ray and Pat Browne in as a means to publish the Journal of Popular the press began to publish books. In the film there is a lot of Intertextuality and references to characters from different Disney films.

This Intertextuality makes the film more familiar to the audience especially the young children who would know these characters and these characters are used to intertwine with the story lines.

Intertextual Encounters in American Fiction, Film, and Popular Culture (Hardback) Michael Dunne £ Hardback. His focus ranges from American literature, criticism, film, “narratology”, and popular culture.

He is the author of the following: Metapop: Self Referentiality in Contemporary American Pop Culture () Hawthorne’s Narrative Strategies() Intertextual Encounters in. Culture (), Hawthorne's Narrative Strategies (), and Intertextual Encounters in American Fiction, Film, and Popular Culture (forthcoming).

Wolfgang D. Elfe is Professor of German at the University of South Carolina. He has written books and articles on twentieth-century Ger-man literature. He is currently at work on a book about Bertolt.

Intertextuality is a term that indicates that all texts, whether written or spoken, whether formal or informal, whether artistic or mundane, are in some way related to each : Liesbet Van Zoonen. Interdisciplinary Journal of Film and Television Studies. Picture, in American Scenarios: The Uses of Film Genre Middletown, Conn.

Intertextual Encounters in American Fiction, Film, and Popular Culture - Google Books Result. American scenarios: the uses of film genre. Book. Written byJoseph W. Reed. ISBN 0 people like this topic. The literary theory of intertextuality, introduced by Julia Kristeva, refers to the use of complex literary relationships as a means of communication.

Some methods include allusion, pastiche, and. Intertextuality is the ongoing interaction between poems or stories."Dialogue" between old texts and new. When a newer book borrows something familiar from older, well known books so the reader can grasp a familiar concept/idea.

For example the novel "Cacciato" borrows the idea of "Alice In Wonderland" when the army squad falls through a hole into a "fantasy land", and they al fall at. Beyond conventional spaces of transitional justice, popular culture in the form of films and other types of fiction has emerged as a creative space for women to renegotiate narrow readings of.

This kind of intertextual writing can be described as “intertextual irony,” a term established by U. Eco, a well-known phenomenon since antiquity which characterizes the allegory and allegorizing. Read Online [Google Books] Inhaltsverzeichnis [PDF] Mohr Kurier /2: Theologie Neu vorgestellt, 10 [PDF].

Intertextual encounters in American fiction, film, and popular culture. Popular Press. ISBN Doviak, Scott Von (). Hick flicks: the rise and fall of redneck cinema (Illustrated ed.).

McFarland & Company. ISBN Hamilton, Shane (). Trucking Country (Illustrated ed.). Princeton University Press. ISBN Women, Gender, and Sexuality Studies: Popular Culture. Each chapter mines American popular culture--theatre, film, literature, music, advertising, internet content, television, photography, and current events--to pose questions about the process of gender creation and the contestation of masculinities as constantly changing political forms Author: Sarah Sahn.

The book is both comprehensive and smart, a fine combination of surveying the terrain then saying intelligent things about it. Ashby has rendered an invaluable service."--Elliott Gorn, co-author of A Brief History of American Sports "American popular culture isn't a distraction from the serious issues of our time.

It is inseparable from them. This essay seeks the intertextual relationship between a seemingly long-since forgotten theoretical tract and contemporary cinema, colliding a book of cultural history, Johan Huizinga’s Homo Ludens: A Study of the Play Element in Culture (), and two comedy films - Punch-Drunk Love (Paul Thomas Anderson, ) and A Serious Man (Joel and Ethan Coen, ).

Drawing on African American texts, archives, unpublished writings, and contemporaneous European discourses, this book highlights both the canonical figures of the New Negro Movement and African American culture such as W. E. B. Dubois, Booker T. Washington, Alain Locke, and Richard Wright, and other writers such as Wallace Thurman, who have not.The Fiction of America juxtaposes classic literature of the American Renaissance with twentieth-century popular culture—pairing, for instance, Ralph Waldo Emerson with Finding Nemo, Walt Whitman with Spiderman, and Hester Prynne with Madonna—to investigate how the “Americanness” of American culture constitutes itself in the interplay of the cultural imaginary and performance.

Alone in America: the Stories that Matter Robert A Ferguson Harvard University Press, pp, £ Robert A Ferguson opens Alone in America: the Stories that Matter by explaining that this is a book about American literature’s encounters with solitude.

Arguing that aloneness acquires a special valence in the US, thanks to “the openness, mobility, uncertainty and flux in (what was.